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TANK

TANK

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TANK VOLUME 5 ISSUE 5 “The bad news is that neither the left nor the right in the 21st century has any theory left.”—ROEMER VAN TOORN on reality • “Although I am not one for Gucci Loafers, fast cars, and wobbling around the spa all day, I know that in the last ten years [money] has been the most important thing to me, and it will continue to be in the next ten years.”—RYAN GANDER on what makes the world go round • “Is infinity huge and out there or tiny and intensely personal? Is it outer space or your soul?”—STEPHEN JONES knows no limits • “It was regime change bought on the wings of B-52 bombers and insta-politicians, delivered to our doorsteps on top of US Tanks.”—SALAM PAX on the day to day reality of war • “It’s as if evolution has been speeded up and compressed so that the origins of life in the planet turn, into a split second, to the creation of an individual human life.”—GEOFF DYER on the work of Trent Parke • “Every building, whether it’s a public loo or a globetrotting museum franchise, must, in the words of John Prescott, “strike you and you say bloody ‘ell.”—TOM DYCKHOFF on the shape of things to come • “When you call something a poem, you can get away with a lot.”—SETH PRICE on his verse • “An artwork isn’t a mass product, and the appeal to serious collectors of owning or showing a copy is very limited.”—TOM MORTON, as ENIOLA ALUKA, on the future of art • “What is it about the intellectual life of the modern world that causes it to produce a kind of knowledge that is so conspicuously devoid of wisdom?”—PANKAJ MISHRA on knowledge • “If you ever have to describe the idea of fashion to a Martian, three letters should be all that you’ll need: YSL.”—DURO OLOWU’s tribute to the late Saint Laurent • “When I first started going into the office everyday I made a conscious effort never to carry coffees around.”—MARY KATE OLSEN on public image via paparazzi • “I'm still a sucker for a beautiful face.”—YASMIN LE BON on girls • “Muslim artists are facing an interesting challenge, where on the one hand we have an interesting platform to tell our stories and have our work be seen and sold, yet we are struggling against a reductive contextualization of our work that undermines its artistic merit.”—SHRIN NESHAT on the political climate and art practice • “ I told Karl Lagerfeld that modeling was boring.”—OSCAR NIEMEYER on being the face of France • AND THATS JUST A SMALL AMOUNT OF THE FEATURES IN THIS CUTTING EDGE PUBLICATION!


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